Iranian film ‘Muhammad’ to ‘reclaim rightful image of Islam’

Iran’s most expensive movie, Muhammad, which chronicles the childhood of the Prophet Muhammad (PBUH), opened nationwide in Iran on Thursday, winning praise from early audiences.

Directed by Majid Majidi, the 171-minute, visually stunning film cost around $40 million (36 million euros), partly funded by the state, and took more than seven years to complete.

Majidi says the aim of his work, the first part of a trilogy, is to reclaim the rightful image of Islam, which he said extremists have distorted: “Unfortunately at this time the impression of Islam is of a radical, fanatical and violent religion, which is not what it’s about,” he said in Montreal, where the film had its international premiere, hours after screening back home.

“The barbaric acts of terrorism conducted by terrorist groups under the guise of Islam are not related to Islam,” he said, alluding to beheadings and destruction of cultural treasures by Islamic State militants in Syria and Iraq.

“Islam is a religion of peace, friendship and love, and I tried to show this in the film,” he added.

Ambitious goals

Muhammad, which captures Saudi Arabia of more than 1,400 years ago, offers much more than stereotypical trains of Arabs on camels riding across yellow sand dunes.

It takes cinemagoers from the birth of the Prophet (PBUH) up to his teenage years, and is packed with scenes relating to miracles. The crew of Muhammad is also very hopeful that the film will do well with the audience.

The film also features work by three-time Oscar-winning Italian cinematographer Vittorio Storaro, while its score has been devised by India’s Allah Rakha Rahman, a double Academy Award winner for the Danny Boyle-directed blockbuster Slumdog Millionaire.

In one scene, an army of tribesmen mounted on elephants charges the holy city of Makkah to heart-pounding music, only to be destroyed by a flock of crows hurling stones.

In another, intensely emotional scene, a young Muhammad (PBUH) heals his nanny with a touch of his hand.

“It was very moving for us,” said Mahsa Rasoulzadeh, 40, accompanied by her mother and teenage daughter at Kourosh Cinema in west Tehran.

Strong demand in Tehran

The theatre was around two-thirds full at an 11:00 am showing on Thursday, the first day of the Iranian weekend, but afternoon sessions were sold out in advance and two more had to be added for after midnight to meet demand.

Abolfazl Fatehi, 21, who came to watch the film in a family group of seven, said he loved it.

“I think this film can be a starting point of research for those who don’t know Islam,” he said.

Mehdi Azar, a 25-year-old worker at the cinema, said that while the film’s length might put some movie-goers off, “it’s attractive enough to draw an audience. It was very attractive visually”.

Outside the Imperial Cinema in Montreal, around 50 protesters chanted against Iran, accusing Majidi of betrayal and calling the event Iranian propaganda.

The film is the second major production on Prophet Muhammad (PBUH).

The first, “Muhammad, Messenger of God”, was made in 1976 by Syrian-American filmmaker Moustapha Akkad. It was a huge success with Iranians. Forty years on, with its cost around 20 times higher than any other Iran-produced film, Majidi’s effort has raised high expectations.

Despite broad early enthusiasm some felt the movie had not lived up to the hype.

“I had heard so much about it… but, to be honest, my expectations were much higher than what I saw,” said Komeil Arjmandi, 23, who is studying film direction.

“I wanted the film to rise higher than Mr Akkad’s movie.” Yet, officials don’t want the film to be compared with others. In order to “preserve the dignity” of the Prophet (PBUH), Muhammad was excluded from competition in Iran’s major Fajr festival in February and was instead showcased in a separate screening.

No announcement has yet been made on when the two other parts of the Muhammad trilogy, covering the rest of his life, will be produced.


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